An archive of my ever expanding book and print collection

Tag: Drawing Restraint

Matthew Barney – Sammlung Goetz Catalogue

This book was produced in collaboration with Matthew Barney to accompany the 2007 exhibition of the Goetz collection of Barney’s work. In this exhibition the Cremaster Cycle was presented as a soundscape installation where all five films were played at the same time in close proximity as an immersive experience. In addition, his latest work (at the time) Drawing Restraint 9 was shown. The catalogue, takes you through the exhibition with numerous installation shots (including the vitrines for all of the Cremaster films) and texts; there are also interviews with Barney himself and composer Jonathan Bepler who creates the scores for Barney’s work. The catalogue itself is very different to the standard format Barney uses. The edges of the book are dyed turquoise and the covers are wrapped in silk with the title stamped on. The book was limited to a few thousand copies but is still available at many online bookshops.

Matthew Barney – Pace Car for the Hubris Pill

Pace Car for the Hubris Pill is a catalogue that was designed by Matthew Barney to accompany his exhibition of the same name that toured Europe in ’95-96. The exhibition included his well known films Cremaster 1, Cremaster 4 and Drawing Restraint 7 alongside lesser known earlier works OTTOshaft, Facility of Incline and Facility of Decline. As with many of Barney’s books, it included stills from the films alongside associated drawing and sculptures. The book contained a number of gatefold pages and the book was held inside a screenprinted vinyl casing, a common feature of many of Barney’s books. The print run was limited to 2500 copies, making the book highly collectible.

(click images to enlarge)

Matthew Barney – Drawing Restraint 7

Matthew Barney produced Drawing Restraint 7 in 1993 as a three channel video installation. In the video, three satyrs travel in a limousine through the tunnels of New York; in the front seat a hairless kid satyr chases its own tail, whilst in the back a ram and a ewe satyr wrestle each other. The concept of a drawing restraint is embodied by the fighting satyrs battling to try and use each others horns to draw an image of themselves in the condensation on the cars sunroof. The video comes to a head when the satyrs and the car upholstery are flayed, a final punishment for an act of hubris (a recurring motif in much of Barney’s work); trying to recreate their own image. The video, along with drawings and photographs associated with the project, was shown at the 1993 Venice Biennale where Barney won the Aperto prize for his work. The catalogue to accompany the project was published by HatjeCantz and has since sold out.

(click images to enlarge)


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